Along Learning Music Ş. Niculescu at the Conservatory of Bucharest (1941-1946 and 1951-1957) allows him to rub shoulders with eminent musical personalities. Muza-Ghermani Ciomac, Foric Musicescu and Grete Miletineanu taught him piano, George D. and Ion Breazul Chirescu theory and music theory, Mihail Jora and Martian Negrea harmony, composition Andricu Mihail Nicolae Buicliu counterpoint, musical forms Tudor Ciortea Theodor Rogalski orchestration, Nicolae Parocescu Emilia Comişel and folklore. Between these two periods of art studies is enrolled at the Institute of Civil and Industrial Construction of the Romanian capital. In 1966, he participated in the electronic music lab Siemens in Munich and the International Ferienkurse für Neue Musik in Darmstadt . This experience was repeated the next three years. First
piano teacher in Bucharest (1958-1960), he became a researcher at the Institute for Art History of the Romanian Academy until 1963 before joining the University of Music where he was successively assistant, reader, lecturer and professor of professor of composition. Ş. Niculescu is a member of the Romanian Academy in 1996.
His illustrious career, split between Romania and Germany, earned him numerous awards, from the Union of Composers (1975, 1977, 1981, 1983, 1985, 1986, 1988, 1998 and 1994 for the Grand price), the Romanian Academy (1962) and French (1972), Festival of Montreux-Vevey (1985), founding the Vienna Herder (1994), etc..
Much of his work is devoted to chamber music, occasionally mixing traditional instruments, percussion and synthesizer, and orchestral music (five symphonies, written from 1975 to 1996, various rooms including a tribute to Enesco, and Bartók, 1980). Ş. Niculescu is also the author of music and scenes of an opera for children ( Cartea cu Apolodor , 1975), cantatas, choruses, melodies, music for film.
Ş. Niculescu embodies the quintessence of the Romanian avant-garde music. He is both heir and successor of Enesco, Bartok, Stravinsky, Webern and Messiaen as well as. Harry Halbreich compares favorably with his contemporaries, yet much better known as the Pole Witold Lutosławski or the Hungarian György Ligeti, suggesting the universal The son legs. Sources
piano teacher in Bucharest (1958-1960), he became a researcher at the Institute for Art History of the Romanian Academy until 1963 before joining the University of Music where he was successively assistant, reader, lecturer and professor of professor of composition. Ş. Niculescu is a member of the Romanian Academy in 1996.
His illustrious career, split between Romania and Germany, earned him numerous awards, from the Union of Composers (1975, 1977, 1981, 1983, 1985, 1986, 1988, 1998 and 1994 for the Grand price), the Romanian Academy (1962) and French (1972), Festival of Montreux-Vevey (1985), founding the Vienna Herder (1994), etc..
Much of his work is devoted to chamber music, occasionally mixing traditional instruments, percussion and synthesizer, and orchestral music (five symphonies, written from 1975 to 1996, various rooms including a tribute to Enesco, and Bartók, 1980). Ş. Niculescu is also the author of music and scenes of an opera for children ( Cartea cu Apolodor , 1975), cantatas, choruses, melodies, music for film.
Ş. Niculescu embodies the quintessence of the Romanian avant-garde music. He is both heir and successor of Enesco, Bartok, Stravinsky, Webern and Messiaen as well as. Harry Halbreich compares favorably with his contemporaries, yet much better known as the Pole Witold Lutosławski or the Hungarian György Ligeti, suggesting the universal The son legs. Sources
- Viorel Cosma Musicians in Romania, vol VII , Music Publishing, Bucharest, 2004 - ISBN 973-42-0366-5
- Romanian Symphonic creations, CD 1, UCMR- ADA Oa 10 326, notice d'Oltea Serban-stream. Orchestre Symphonique Autrichienne's Radio (ORF), dir. Arthuro Tamayo pour Deisis .
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