His first piano teachers are Florica Musicescu and Mihail Jora it also teaches music theory. The latter becomes his teacher at the Conservatory of Bucharest from 1928 to 1932, for harmony, counterpoint and composition. Dinu Lipatti institution follows in this class chamber music (professors and Mihail Dimitri Dinicu Andricu). After graduating in 1932 he chose to develop two years later at the Ecole Normale de Musique de Paris. For five years he studied with pianists Alfred Cortot and Yvonne Lefebure, composers Paul Dukas and Nadia Boulanger, and Charles Münch and Diran Alexanian for conducting.
His career as a virtuoso pianist began in 1922 and does not stop until his death. It carries within this range of tour in fifteen European countries. He plays with George Enescu , Herbert von Karajan, Eduard van Beinum, Paul Sacher, George Georgescu , Otto Ackermann, Hans von Benda, Alceo Galliera, Ernest Ansermet, Willem Mengelberg, Perlea Ionel Dan Simonescu, etc..
He joined the Society of Composers Romanians in 1933. As a composer he is honored three times the price George Enescu (First mention, 1932; second prize 1933, first prize, 1934). The French Republic in 1937 awarded him a silver medal for his work. In 1949 he received the Grand Prix de l'Académie Charles Cros.
From 1944 to 1949 he taught piano at the Conservatory of Geneva. Author of numerous papers and lectures on music, Dinu Lipatti is also an artist and photographer of great sensitivity. Missing
very young (33 years), Dinu Lipatti leaves a catalog of compositions of an unexpected magnitude. His symphonic suite Şătrarii op. 2 ( Gypsies, 1934) is one of his orchestral scores the least known. It is also the author of a Concertino in the Classical style piano and chamber orchestra op. 4, a Suite in the classical string (1936), a Symphonie Concertante for two pianos and strings (1938). The three scenes symphony (1941), a Concertino in the French style for piano and orchestra (1941), a Prelude, Chorale and Fugue in ancient fashion for bows (1941?), A Chorale for Strings (1944) are written during the war. His Romanian Dances for Piano and Orchestra of 1945 are his last completed orchestral work. D. Lipatti did not complete partitions in a Toccata for chamber orchestra (1936), a Symphony (1944) and a Chamber Symphony (1949). He writes
duets ( Sonatina for violin and piano , 1933; Allegro for clarinet and bassoon , 1936; Concert for organ and piano , 1939), two trios for violin, cello and piano (Fantaisie , 1936; First improvisation 1939), a quartet for flute, oboe, clarinet and bassoon ( Aubade 1949), two unfinished quintets (string, 1935?; for Winds, 1938). Apart from a
Introduction and Allegro for flute solo (1939), his scores are for solo instrument for that piano. Its catalog includes a dozen works (dances, night) with a Sonata (1932) and Sonatine for the left hand (1941). He also leaves three collections of songs ( Evenings Park Jianu for baritone and piano, 1940, unfinished; Five songs on poems of Paul Verlaine , 1914-1945; Four melodies , 1945). He has not completed his only attempt to address the choral music ( Motet, 1937?).
Sources
His career as a virtuoso pianist began in 1922 and does not stop until his death. It carries within this range of tour in fifteen European countries. He plays with George Enescu , Herbert von Karajan, Eduard van Beinum, Paul Sacher, George Georgescu , Otto Ackermann, Hans von Benda, Alceo Galliera, Ernest Ansermet, Willem Mengelberg, Perlea Ionel Dan Simonescu, etc..
He joined the Society of Composers Romanians in 1933. As a composer he is honored three times the price George Enescu (First mention, 1932; second prize 1933, first prize, 1934). The French Republic in 1937 awarded him a silver medal for his work. In 1949 he received the Grand Prix de l'Académie Charles Cros.
From 1944 to 1949 he taught piano at the Conservatory of Geneva. Author of numerous papers and lectures on music, Dinu Lipatti is also an artist and photographer of great sensitivity. Missing
very young (33 years), Dinu Lipatti leaves a catalog of compositions of an unexpected magnitude. His symphonic suite Şătrarii op. 2 ( Gypsies, 1934) is one of his orchestral scores the least known. It is also the author of a Concertino in the Classical style piano and chamber orchestra op. 4, a Suite in the classical string (1936), a Symphonie Concertante for two pianos and strings (1938). The three scenes symphony (1941), a Concertino in the French style for piano and orchestra (1941), a Prelude, Chorale and Fugue in ancient fashion for bows (1941?), A Chorale for Strings (1944) are written during the war. His Romanian Dances for Piano and Orchestra of 1945 are his last completed orchestral work. D. Lipatti did not complete partitions in a Toccata for chamber orchestra (1936), a Symphony (1944) and a Chamber Symphony (1949). He writes
duets ( Sonatina for violin and piano , 1933; Allegro for clarinet and bassoon , 1936; Concert for organ and piano , 1939), two trios for violin, cello and piano (Fantaisie , 1936; First improvisation 1939), a quartet for flute, oboe, clarinet and bassoon ( Aubade 1949), two unfinished quintets (string, 1935?; for Winds, 1938). Apart from a
Introduction and Allegro for flute solo (1939), his scores are for solo instrument for that piano. Its catalog includes a dozen works (dances, night) with a Sonata (1932) and Sonatine for the left hand (1941). He also leaves three collections of songs ( Evenings Park Jianu for baritone and piano, 1940, unfinished; Five songs on poems of Paul Verlaine , 1914-1945; Four melodies , 1945). He has not completed his only attempt to address the choral music ( Motet, 1937?).
Sources
- Viorel Cosma, Muzicieni din România, vol. V, Editura Muzical, Bucureşti, 2002 - ISBN 973-42-0317-7
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