Ion Nonna Otescu faisait partie des proches du chef is George Georgescu aimaient reunion qui chez des NUITS entières Brăiloiu Constantine. L'on en volontiers voyait's a grand espoir de l'Ecole de composition roumaine. His disparition premature and the modest size of its catalog do not tell, especially since his work is apparently it unavailable for legal reasons.
In the original comic opera From Matei CETIR he planned in the 1920s, there remains hardly a small orchestral suite of ten minutes.
"Tessitura refined and graceful, wide bill, harmonies, charming, we do not know what to give more attention to the melodic lines or implementation competing in a noble emulation. The patterns inspired by music popular or invented by the composer, sound effects are marked with an intellect refined, "said a Romanian critic of the early twentieth century. (*)
Listening to the Suite is actually very pleasant. harmonies combine expressionistic language and the last romance. Some archaic accents (the opera takes place at the time of Matei Basarab, Prince of Wallachia seventeenth century) already address the orchestra Katchatourian while Otescu suggests rhapsodic passages beautifully made (at 4'50, 5'33, etc..) claiming an affiliation with unambiguous his predecessors national romantic.
Listen online by clicking this link.
(*) RN Cioculescu dance Literary Truth. Sources
In the original comic opera From Matei CETIR he planned in the 1920s, there remains hardly a small orchestral suite of ten minutes.
"Tessitura refined and graceful, wide bill, harmonies, charming, we do not know what to give more attention to the melodic lines or implementation competing in a noble emulation. The patterns inspired by music popular or invented by the composer, sound effects are marked with an intellect refined, "said a Romanian critic of the early twentieth century. (*)
Listening to the Suite is actually very pleasant. harmonies combine expressionistic language and the last romance. Some archaic accents (the opera takes place at the time of Matei Basarab, Prince of Wallachia seventeenth century) already address the orchestra Katchatourian while Otescu suggests rhapsodic passages beautifully made (at 4'50, 5'33, etc..) claiming an affiliation with unambiguous his predecessors national romantic.
Listen online by clicking this link.
(*) RN Cioculescu dance Literary Truth. Sources
- Tutu George Georgescu, George Georgescu , Music Publishing, Bucharest, 2001 - ISBN 973-42-0282-0
- Romanian Symphonic creations, CD 10, UCMR-ADA 03L070150, notice d 'Elena Zottoviceanu. Orchestre de Chambre to Radio dir. Ion Dracea
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