His musical studies began in Munich with Professor Mittag (piano, theory and music theory) and then at the Conservatory of that city after 1918. He received teaching of Professor Katana (piano) and Beer Walbrunn (harmony, composition, counterpoint). From 1920 to 1923 he was enrolled at the Leipzig Conservatory. Paul Graener instructed him in the field of musical form and perfect composition, Otto Lohse teaches him the art of conducting and Dag Martinsen deepens his piano playing. Ionel Perlea strenna his career as Symphony October 17, 1919 with the Bucharest Philharmonic. He was appointed head coach of the Leipzig Opera (1922-1922), Rostock (1923-1925), head of the opera of Cluj (1927-1928) and the Opera of Bucharest (1928-1932, 1936 -1944) which he also assumes the leadership in 1929 and 1930. During the 1935-1936 season he is tenured at the senior manager of the Opera. From 1936 to 1944, he led the Radio Orchestra of Bucharest and teaches conducting at the Conservatoire (1941-1944). He was also appointed a time (1940) Leader of the Orchestra of the Christian Youth Association in the Romanian capital. After
War, he was appointed to head the St. Cecilia Academy in Rome (1945-1947) and the Bamberg Symphony Orchestra until 1949.
As opera conductor, we find his name at La Scala in Milan (1946, 1950-1952), the San Francisco Opera (1950), the Festival of San Antonio, Texas (1951). From 1952 to 1957 Ionel Perlea is head of the Connecticut Symphony Orchestra. Multiple rounds
do know in Europe, North America and Argentina. He participated in many festivals. The firm assigned by the RCA Victor record full operas by Puccini, and Verdi, Wagner, Donizetti, etc.. For labels and Vox Remington is an abundant serious symphonic repertoire. A stroke leaves
paralyzed the right side of his body. From 1967 until his death he no longer runs with the left hand. In May 1969, and it reappears in the Romanian capital, to console the George Enescu Philharmonic.
In 1926, he received the first prize composition George Enescu. His catalog is however restricted in size: a Symphony in C major, Op. 17 (1951), a Sinfonia Concertante for violin and orchestra op. 14 (1968) and four others are his legacy symphonic opus dedicated to the orchestra. His chamber music, written entirely by 1924, is represented as a piano piece, Sonata for Violin and Piano, String Quartet (A cvartet Vesel op.10, "a joyful quartet", 1923) and a Piano Quintet (1919). It does that with his melody Trei lieduri 1919. This eminent scholar of opera, knowing by heart the partition of Meistersinger or Rosenkavalier , did not write an opera.
Sources
War, he was appointed to head the St. Cecilia Academy in Rome (1945-1947) and the Bamberg Symphony Orchestra until 1949.
As opera conductor, we find his name at La Scala in Milan (1946, 1950-1952), the San Francisco Opera (1950), the Festival of San Antonio, Texas (1951). From 1952 to 1957 Ionel Perlea is head of the Connecticut Symphony Orchestra. Multiple rounds
do know in Europe, North America and Argentina. He participated in many festivals. The firm assigned by the RCA Victor record full operas by Puccini, and Verdi, Wagner, Donizetti, etc.. For labels and Vox Remington is an abundant serious symphonic repertoire. A stroke leaves
paralyzed the right side of his body. From 1967 until his death he no longer runs with the left hand. In May 1969, and it reappears in the Romanian capital, to console the George Enescu Philharmonic.
In 1926, he received the first prize composition George Enescu. His catalog is however restricted in size: a Symphony in C major, Op. 17 (1951), a Sinfonia Concertante for violin and orchestra op. 14 (1968) and four others are his legacy symphonic opus dedicated to the orchestra. His chamber music, written entirely by 1924, is represented as a piano piece, Sonata for Violin and Piano, String Quartet (A cvartet Vesel op.10, "a joyful quartet", 1923) and a Piano Quintet (1919). It does that with his melody Trei lieduri 1919. This eminent scholar of opera, knowing by heart the partition of Meistersinger or Rosenkavalier , did not write an opera.
Sources
- Viorel Cosma, Muzicieni din România, vol. VII, Editura Muzical, Bucureşti, 2004 - ISBN 973-42-0366-5
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